Pushing Neon absent from a History of Flatness : Split Stack Lamp
The Split Stack Lamp is a very interesting lamp design by Roger Born . To understand the evolution of the Split Stack Lamp, it is best to look first at two earlier bodies of work- the open series, and the flat stacks ( all Roger Born lamp works can be seen here ). The open series marked the first step in pushing neon absent from a history of flatness, and shifting it into three-dimensions. These lamps traced the edges of three-dimensional shapes, but had no real solid scheme beyond the contours of their sides. They had open interiors, and only their edges were delineated. The flat stacks moved further towards addressing a solid three-dimensional shape. By placing individual hand bent neon components atop each other, a larger structure emerged, growing from the individual layers. Their contours were determined by the edges and perimeter of each individual cross section. Taken together, the aggregate shape of these layers established the profile of the thing as a whole. In relation, the split stack lamp in specific, and the radial stacks in general, are a synthesis of these two antecedents. At its center resides a dense central core of six vertical tubes which towards the bottom, stretch outward and absent from that cluster, trading density for openness. The split stack’s name derives from its split personality, vacillating amidst the flatness of its arms, and
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Pushing Neon absent from a History of Flatness : Split Stack Lamp
Original post by John
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